Natural clay floor

Thibaut Devulder

The finished clay plaster floor

Hands-on course last week at our collective work space Kroloftet in Oslo, where I got a chance to practice natural clay flooring techniques under the guidance of our collaborator Kristian Møystad Bjørnland (of Ur Arkitekter) and Marc Charneau (of Kroloftet).

This little practical exercise aimed at resurfacing the unfinished floor of one of our meeting rooms, exploring clay plaster mixes, workmanship and surface treatments to create a natural, durable and, of course, beautiful floor.

We aimed are reclaiming as much existing materials as possible: taking as a starting point the strangely laid out parquet in the middle of the room over a rough concrete floor, we collected unwanted clay materials from our ceramics workshop, waste wood shavings from the wood workshop and hand sifted sand from a local quarry to experiment with various mix of clay-sand-fibre-water.

The rough concrete floor around the parqueted area, before applying the clay plaster

After an initial layer of clay mix compressed in place, we progressed through several layers of finer clay mixes to achieve a smooth end result. Since we used reclaimed materials of uncertain composition, we decided to experiment with various mixing proportions, some of which more successful than others, which gave us a chance to practice our reparation techniques on the less optimal mixes that developed cracks upon drying!

We finally applied a coat of boiled linseed oil and wax, purchased from the local building conservation shop, to seal and harden the surface.

The workshop was rich in discoveries and allowed me to experience the theory and process behind clay plastering.

With beautiful moisture control abilities, low embodied energy and full recyclability, we are looking forward to applying clay plastering techniques to create stunning and durable interior finishes for our future projects!

Prototyping with the CNC router

Thibaut Devulder

We have now access to an amazing CNC router at our new office space at Kroloftet. I tested it today for the first time, initially to fabricate some simple wooden gears for a homemade “analog music sequencer” I am developing for our next Ooo-Ya-Tsu art project (more in this later…)

The wooden gears, cut on the CNC router, with MIDI music “encoded” into grooves on the right

These gears were modelled in SketchUp and imported into AutoDesk Fusion, before being sent to the CNC router for fabrication. The geometry for the round grooves on one of the large gears was generated by a computer program I coded in Processing that reads musical MIDI files and convert them into 3D shapes, which can then can be grooved into the gears, effectively “encoding” the music into the wood. Fairly simple to start with, but it worked, so on with the prototyping!

Many thanks to Peter Magnus, expert digital fabricator at Kroloftet, for the heads up on using this amazing machine!

New office and wood workshop at Kroloftet

Thibaut Devulder

We are delighted to have joined the dynamic and eclectic work collective at Kroloftet, in Oslo.

In addition to a shared workspace, we now also have access to a fully equipped wood workshop, including a large-scale CNC router, to fabricate custom-made furniture and fittings for your next project!

We are looking forward to exciting collaborations with the many skilled crafts(wo)men at Kroloftet, whose disciplines include (among many others) metalwork, wood joinery, upholstery, boat building, illustration, film direction, ceramics and puppet making!

The collective wood workshop at Kroloftet